Articles in Category: Siona Benjamin

Faces: Indian Jewish Narratives of Siona Benjamin

Written on March 21, 2014

Benjamin - Esther Sukkur
Siona Benjamin has mounted a remarkable exploration into the complex and multilayered identity of Indian Jews, simultaneously tracking the personal, communal and artistic strands that constitute the very fabric of her life.  This ambitious show of over 30 large works, created within the last 2 years, was inspired by work she did on a Fulbright Fellowship in 2011 that allowed her to reconnect and explore the Bene Israel community of Indian Jews of her native Mumbai.  The results confront issues of assimilation, Diaspora, piety and communal preservation that affect us all.  
 

Contemporary Book Art and Hebrew Texts: MOBIA

Written on July 28, 2013

Noah
The “book” is a mighty big place these days and the current exhibition at MOBIA, “As Subject and Object: Contemporary Book Artists Explore Sacred Hebrew Texts” is no exception.  Highly mobile eBooks compete with online publications and traditionally bound volumes, scrolls, accordion-style tomes and folios that present equally exciting options for contemporary artists to interact with image and text in one unifying medium.  The 14 artists shown here take advantage of many of these possibilities to consider distinctly traditional Hebrew texts.  

Lilith by Siona Benjamin

Written on July 15, 2011

Lilith
Siona Benjamin’s exhibition “Finding Home: The Art of Siona Benjamin” is simply beautiful.  Set in the spacious lobby gallery of the JCC Manhattan, it allows for a peaceful (when the kids, nannies and crowds subside) contemplation of this complex artist’s meditations on biblical women, war, exoticism and contemporary society.  

Siona Benjamin’s Megillas Esther

Written on March 25, 2011

Hanging Haman's Sons
There is nothing funny about Siona Benjamin’s Megillas Esther (2010).  Unlike some contemporary illuminated megillas that emphasize the absurd and outlandish nature of the corrupt Persian court and the buffoonish character of the king, Benjamin takes the Book of Esther quite seriously.  She is obviously deeply sensitive to the terrible consequences of God’s hester panim (hidden face) in our own time.