The Hazin Haggadah
The Mitzvah of Creativity


Imitatio Deo. We are commanded to imitate God, Creator of the Universe, and with our best efforts, be creative in the world He has given us. Beyond that there is a very specific mitzvah that allows us to exercise our creativity. "You shall tell your son on that day, saying: It is because of what the Lord did for me when I came out of Egypt" (Exodus 13:8). The Pesach Haggadah further elaborates on this point "and whoever tells about it at length is praiseworthy." The reciting of the haggadah and its elaboration is an act of Jewish creativity arising out of the Maggid, the fundamental mitzvah of the Seder. Later in the Seder we are further enjoined to imagine the events as if we had personally witnessed them recasting the ancient narrative according to the facts and specifics of our own experience.

The imagery tends to lean toward the anachronistic, depicting the ideal family as a father, mother, son and younger daughter in classical robes, or a turbaned patriarch and Renaissance-style clad children. The most powerful images are the full-page illuminations reflecting a specific posuk or concept such as the search for chometz, the order of the Seder in 12 paintings, "We Were Idolaters", The Four Sons, and of course, the Ten Plagues. When they limit their focus to single pages the results reverberate with unexpected metaphors that blossom within the text. This haggadah occasionally challenges us with its artwork. The ultimate goal of truly inspiring contemporary artwork and exciting rabbinic commentary in a haggadah is still elusive.

The end of the haggadah is naturally dominated by Had Gadya with three illuminations set on a page surrounded by the familiar song. Each animal is realistically depicted in a forested mountain landscape reminiscent of the artist's Russian roots. The young scruffy goat is followed by a fluffy kitten and then chased by a playful collie. In the next set this innocent fun sours when the mood turns dark and ominous; a threatening stick is mysteriously ignited into a forest fire and finally dowsed by a pail of water appearing out of the smoky sky.

The final set shifts the mood again as a peaceful cow drinks from the edge of a lake, stands face to face with the pious slaughterer who in turn is laid to rest by a fearsome Angel of Death. The angel, in his turn, is conquered by the pure light of the Holy One, Blessed is He. This unique series, shifting mood from image to image, upsets our expectations, provides a visual delight for children and sly insights into the complex nature of the real world for adults.

Had Gadya, (1998)
 
The Hazin Haggadah;
 
Limited edition Facsimile
 
Courtesy of Joy Schonberg Gallery
 
Other lessons the haggadah has to teach are explored in the curious full page illumination facing Daiyeinu. Here the ornamented text is complemented by an image of b'nai yisroel blocked by impassable rocks in the wilderness. Having just passed through the sea now roiling with drowned Egyptians, two elders, perhaps Moses and Aaron, are calmly discussing the situation while a young girl smiles out contentedly at the viewer. This child, who we have seen earlier at the family table describing the order of the Seder, startles us with her joyous acceptance of Daiyeinu. Would we, fresh from triumph but faced with an unknown and threatening future, exhibit such unquestioning faith?
Daiyeinu (1998
 
The Hazin Haggadah; Limited edition Facsimile
 
Courtesy of Joy Schonberg Gallery
 

One the more startling illuminations is the depiction of Pesach, Matzah, Maror. In counter intuitive fashion it depicts not the objects but rather the explanation of each. Pesach is depicted as a lamb tied to a fantastical bed, framing the narrative as a kind of ancient fable. Three maidens seen in the middle image are preparing to bake Matzah in the open air evoking the rushed preparation preceding our redemption. Finally the bitter concept of Maror is encapsulated with two Hebrews laboring in Pharaonic Egypt, struggling to pull unseen stones. Each image unlocks the text with an image that tickles the imagination to elaborate on even further.

The nature of images in this and many other haggadahs are two-fold. Images concretize the text rendering it specific to time and place. Simultaneously they can excite our imagination to compare the image with our own experiences and concepts. The images feed our imagination because we intuitively understand that they are only metaphors. Metaphors are open to our personal interpretation and therefore ready-made to facilitate our creativity as we personalize the haggadah. It is up to us to reinvent the experience of the Exodus each time we encounter it on Seder night. The illuminated haggadah is a handmaiden to our mitzvah of creativity.

Pesach, Matzah, Maror (1998)
 
The Hazin Haggadah; Limited edition Facsimile
 
Courtesy of Joy Schonberg Gallery
 
   

Richard McBee
April 6, 2003

 

 

The Hazin Haggadah; Limited edition Facsimile
Available at Joy Schonberg Galleries; 255 West 88th Street, New York, NY;
212 877 3369

Pubished in The Jewish Press

 


 

 


Copyright © 2003 Richard McBee. All Rights Reserved.